The Mini 3 and Mini 3 Professional have an 8-bit colour profile named Standard. It is a pre-processed color method all set to use that doesnt need intense coloration grading. The Professional product also gives a 10-bit flat profile, D-Cinelike, ready to stand heavier write-up-processing

I will evaluate the two modes and show how and when to use them. For additional information, it can be handy to check out my write-up about the best camera configurations for video with the Mini 3 and 3 Professional

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8-little bit Regular Method in the Mini 3 and 3 Pro

Regular method is the just one intended to be utilised proper out of the box, very interesting for people who dont have accessibility to a pc or need to publish promptly their function on social media platforms

As an 8-bit colour manner, it is equipped to display screen 16Ml colours against a lot more than 1bn for a 10-bit profile

The 8-bit Regular method can show 16ml hues

I know some persons will inquire, 16Ml shades are loads, why would we need far more than that? Properly, matters are not that easy. A wider colour palette renders a far better structure in the sky and avoids shade banding in uniform places and other artifacts, specially when heavier colour grading is desired

Typical method is accurately the similar in the Mini 3 and in the 3 Pro, while the Pro design has a bitrate of 150 Mbps vs 100 for the Mini 3. A higher bitrate means significantly less compression of the file, which in principle final results in superior performances in write-up-processing, but the variance, in this circumstance, is delicate. Footage shot in Ordinary is pre-processed in get to be all set to use

Typical mode in the Mini 3 and 3 Professional has been continuously improved by means of a collection of firmware updates, as usually is the case with DJI models. Soon after the release of the Mini 3 Professional, I located that the shadows were a bit way too darkish and that the footage was not precisely completely ready for use out of the digicam, but required a generous dose of contrast and saturation

Listed here is some ungraded footage shot in effortless light-weight disorders in orange plantations on the East coastline of Sicily, in close proximity to Mount Etna. Far more particulars about publicity options of the Mini 3 and 3 Pro are in this article

Footage shot in Ordinary method is superb even without the need of coloration grading

The footage is exceptional and can be used without any grading, even though items make improvements to marginally by incorporating a touch of distinction and saturation

Vertical footage in Standard mode with the Mini 3 and 3 Professional

This is fantastic information for end users involved on social media, taking into consideration also the probability to shoot video in portrait mode. The excellent of vertical footage taken in Standard manner is accurately the identical as for horizontal format

By tuning the camera down in direction of the ground we can focus on element and colour rendition. It is not quick to reproduce properly the detail in foliage and vegetation, but the Mini 3 Professional does an fantastic position

Substantial Dynamic Array scenes in Ordinary method

Scenes with a large big difference amongst the darkest places and the brightest kinds, also known as large dynamic array circumstances, are the ones where by 8-little bit color modes are inclined to battle. Less than these problems, a more intense coloration grading is wanted and this is not the strong point of Normal mode. Becoming an already processed profile, it does not respond as very well as a flat 10-bits just one to publish-processing

An area exactly where the Mini 3 and 3 Professional genuinely shine (forgiving the pun) is night time footage. Thanks to the incredibly huge aperture of f1.7, the sensor is capable of gathering loads of gentle and the outcomes are outstanding, nearly at the exact amount as DJI flagship model, the Mavic 3

By wanting at the footage you may imagine that it is not night time footage, but consider me, it was truly pitch dark and the rendition of the Mini 3 is sensational, with not a trace of noise. A lot more information about night time footage with the two models in this post

I dont get worried far too a lot about sound, as I use the superb denoiser Neat Video clip, you can go through here my dedicated post

10-bit D Cinelike in the Mini 3 and 3 Professional

D Cinelike is the 10-bit flat profile offered only in the Mini 3 Professional model. It is not meant to be used out of the camera and calls for a good amount of money of publish-processing

The availability of the 10-little bit profile is 1 of the differences between the two models, you will uncover aspects about the other dissimilarities in this write-up. Far more illustrations of the video clip good quality of the Mini 3 and 3 Professional are listed here

D Cinelike is a flat profile and desires serious publish-processing

It is known as a flat profile mainly because the contrast is reduced to shield the emphasize, even though it is not practically as flat as other 10-little bit profiles like D Log. Considering the fact that 10-bit profiles can stand significant enhancing, they are made use of in higher dynamic vary scenarios or to adapt a clip to the color vary of a specific challenge

Employing LUTs to coloration quality with D Cinelike

When enhancing 10-little bit profiles, LUTs are routinely employed. LUT stands for Glimpse Up Table, it is an impression file mapping the hues to modify the physical appearance of the footage

Higher than you can see variations of the identical clip by employing distinct LUT and diverse editing values, they can all function very well in accordance to the coloration topic of a certain venture

When compared to the Standard profile, with D Cinelike the hues are frequently richer and the framework of the sky is far more spectacular. With a flat profile, the capability of the human being doing the enhancing is crucial to obtaining the greatest outcomes

I counsel always utilizing D Cinelike for footage taken in the way of the sunshine and in higher dynamic array scenarios, as a flat profile reduces the contrast and helps make it probable to guard the highlights while retaining some details in the shadows. It is then possible to high-quality-tune them in submit-processing

Significant Dynamic Array scenes working with D Cinelike

In this circumstance, I come across the footage overexposed to my flavor, but this is what was expected by the customer, and using D Cinelike I manage to deliver precisely what I was asked

When the Mini 3 Pro was produced D Cinelike was an 8-little bit method and it was fairly disappointing, as the shadows ended up way far too darkish. But like the Regular profile, D Cinelike has been frequently enhanced by DJI and it is now a correct 10-bit method providing fantastic results with the correct enhancing

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Last Update: 03/23/2024